RESUME
EDUCATION
1983 M.F.A. in Sculpture,
1981 B.A. in Anthropology,
1980 Field Study in Nepali Music, Experiment in
International Living,
1979 Field Study in Italian Archeology,
Fellowships and Sources of External Funding
1984
Artists Fellowship -
1987 Artists
Fellowship -
Artist Fellowship - Art Matters
1988 Mattress Factory Commission
Metropol Commission
1989 Artists
Fellowship -
Artist Fellowship - Art Matters
1990 Community artists Assistance Grant
1992 Archie Grant for Excellence in Teaching
1993 Archie Grant for Excellence in Teaching
1995 Archie Grant for Excellence in Teaching
1997
Teaching Technology Grant -
UCR
Research grant -
1998 Artist Fellowship -
Shadows
1999 UCR Research grant -
Offit Sullivan Award for Excellence in Teaching
Shadows
Shadows Columbus - Stipend and Transportation Funding
2001 Southern
2002 Kansas City Art Institute, Visiting Artist Stipend
2003 University of
2004 Artist Fellowship -
2005
Lectures and Visiting Artist Activities
2006 Bemis Slide Jam
2005
2002 Visiting Artist – Kansas City Art Institute
Lecture
,
2001 Lecture,
Southern
1999 Lecture,
Lecture
,
Lecture,
Nebraska Woman’s Correctional Facility,
Lecture,
Woman’s Division of the Chamber of Commerce,
Lecture,
Radio
Interview, KLIR AM 900,
1997 Lecture,
Artist’s
Talk, University of
1995 Lecture,
1993 Lecture,
Southeastern Center for Contemporary Art,
Lecture,
1992 Lecture,
Appalachian
1989 Visiting
Artist,
Panels, Juries and Workshops
2005 Juror – Scholastic Art Competition
2004 Juror
–
Juror –Bemis Center for Contemporary Art Artist Residency Program
2001 National Endowment for the Arts Panelist – Access, Heritage and Preservation.
2000 Juror,
1998 Juror,
1994 Community Workshop, Southeastern Center for Contemporary Art
1993 Lecture,
Southeastern Center for Contemporary Art,
Lecture,
1992 Lecture,
Appalachian
1989 Visiting
Artist,
1986 Visiting Artist/lecture, School of the Art Institute of Chicago.
Panelist,
“In the Mind of the Artist”, Mensa Society,
1985 Panelist,
“The Future of Public Art”, Mid
1983 Visiting
Lecturer,
Professional Experience
1997-1999 -Exhibition Committee, Bemis Foundation
for Contemporary Art.
1997-1998 -Board of Directors, Bemis Foundation for
Contemporary Art.
1994
-Board of Directors, Southeastern Center for
Contemporary Art.
SHOW RECORD
ONE PERSON EXHIBITIONS
2007
“Yankee
Doodle”
2002
“Recent Work by David Helm”
2000
“Automated
Dispositions” Southern
1999
“Out
of the Shadows and into the Light,
“Out of the Shadows and into the Light,
Colombus”,
1998 “To Hell and Back”,
“Out of the Shadows and Into the Light,
1997 “Excerpts from Dante’s Garden”, University
of
“Studio 2000”,
1996 “Out of the Shadows and Into the Light”,
1995 “Funnybone”,
“Funnybone”,
1994 "Out of the Shadows and Into the
Light",
1993 "Anonymous", Southeastern Center
for Contemporary Art,
1992 "Funny Bone", Catherine Smith
Gallery, Appalachian
1991 "General Admission, Reservations
Required",
1989 "National Outlook",
1988 "Open to the Public",
"Archetypes". Metropol,
"Common Oddities",
"Testing", SPACES Gallery,
1987 "Baby Baby", C.A.G.E.
Gallery,
"555-1212", Art In
the Anchorage, Creative Time Inc.,
1986 "Heroics", The School of the
Art Institute of Chicago,
"David
Helm, Sculpture", Merwin Gallery,
OUTDOOR EXHIBITIONS
2005 “Art for
2003
“Wind
and Water”,
1992 "Resolve", Arts Council,
1988 "A Point of View", Artpark,
1985 "All American",
1984 "Fan", Sculpture Chicago,
SELECTED GROUP
EXHIBITIONS
2007 “Summer Love” GaGa
Auction, Bemis Center for
Contemporary Art.
Faculty Show,
2006 Auction,
Art on the Edge,
2005
Auction, Bemis Center for
Contemporary Art,
2004 “
“FacultyArt Exhibit”
2001 “Faculty Art Exhibit”
2000 “Local Color”,
“Freemale”, Antiquarium Gallery,
1998 “Contemporary Temporary”,
1997 “Faculty Art Exhibit”,
“The Digital Show”, Haydon Gallery,
“Two Views of Self”,
1996 “The Digitial Show”, Metro Arts,
“Site
1995 “Faculty Art Exhibition”
1994 "
1993 "Works on Paper",
"Faculty Art Exhibition",
1992
"Faculty Art Exhibition",
1991 "Roll", NAME Gallery,
"Randolph Street Gallery
Auction", Randolph Street Gallery,
1990 "Installations", Dart Gallery,
"New Generations:
"NATURE/nature", Gallery
400,
1989 "Charged Spaces", Rymer Gallery,
"The End of the
Weather", Randolph Street Gallery,
1987 "A New View", University Club
Gallery,
"New Art Examined", Atrium
Gallery,
"Infostructure", Randolph
Street Gallery,
1986 "Sculpture and Drawings", The
1985 "Emerging" 1985", State of
Illinois Gallery,
"Installations", Randolph Street
Gallery,
BIBLIOGRAPHY
· Castro , Jan Garden, Sculpture Magazine, May 2004, Vol.23 No.4, Page 72.
Riverfront Times, St.Louis, Volume 27. Page 26. March 2003.
· Garcia, Linda, “Photos, Lectures focus on women” LINCOLN JOURNAL STAR, Nov. 15, 1999. Page C1.
· Proskocil, Niz, “Photos Mark colorful History of Women”, Omaha World Herald, Nov 12,1999, Page 39.
·
· Singh-Anand, Jeva, “Dante’s Garden is Interactive”, USD Journal, November, 1997.
· Patterson, Tom, “Into the Light is Devoted to Women”, The Charlotte Observer, March 26, 1996.
·
Scheef, Mike, “The History of Comedy though
Art”, The
· Patterson, Tom. “Installation uses Photos, documents to critique the roles of women in N.C.” , WINSTON-SALEM JOURNAL, January 22, 1995, p. E2.
·
Underwood, Kim.”Out of the Shadows”,
·
Underwood, Kim. “Space Sculptor”,
·
Patterson, Tom. “Installation Highlights Role of
Ordinary People”,
· Shearin, Margaret.”David Helm “Funny Bone”, ARTVU, summer 1992, p 41.
· ASU NewS Bureau., “Exhibit Explores Plywood, images”, Watauga Democrat, Feb 21, 1992,.
· ASU NewS Bureau, “ New Art on Display”, THE APPALACHIAN, Feb. 25, 1992 p.1.
· Barckert, Linda. “The Corporate Wasteland”, CHICAGO READER, June 7, 1991, p.42.
· McCracken, David. “Gallery Scene”, CHICAGO TRIBUNE, May 31, 1991, section 7, p. 72.
· Brenson, Michael. “David Helm - Review”, NEW YORK TIMES, January 20, 1991, p 34.
·
Homisak, Bill. “King’s
· Postiglioni, Corey. “NATURE/nature”, DIALOGUE, May/June, 1990.
· Brunnetti, John. “Charged Spaces - Review”, NEW ART EXAMINER, April 1990.
·
Redd, Chris. “Shedding the Light on Politics”,
TRIAD STYLE,
·
Patterson,
Tom. “Light and Sound Installations: Another First Rate Show at WFU”,
·
Bernhardt,
Jennifer. “Installation Art art Viewers, Makes Impact”, OLD GOLD AND BLACK,
·
Cullinan,
Helen. “Ashes to Ashes Poet to Artist”, THE PLAIN DEALER,
·
Findsen,
Owen. “C.A.G.E.” Artists Cater to People who Like to Think”, THE CINCINNATI
ENQUIRER,
·
Hsuan,
A.B. “It’s Creative Time, Art u March 2003 nder the bridge splashes the
mainstream”, THE BROOKLYN PHOENIX,
·
Leuking,
Steve. “Machinators, Cultivators, Tectors”, THE NEW ART EXAMINER,
CATALOGUES
·
AUTOMATED
DISPOSITIONS,
·
LOCAL
COLOR II,
·
OUT
OF THE SHADOWS AND INTO THE LIGHT,
·
OUT
OF THE SHADOWS AND INTO THE LIGHT,
·
GREENHILL
ANNIVERSARY SHOW,
·
ANONYMOUS,
·
DAVID
HELM, FUNNYBONE,
·
MATTRESS
FACTORY 1982-1989.
·
NEW
GENERATIONS:
·
CHARGED
SPACES, STRESSED SITES IN THE BODY POLITIC.
·
ARTPARK
VISUAL ARTS PROGRAM.
·
CREATIVE
TIME 1987-1988.
·
HIGH
PROFILES.
·
SCULPTURE
·
OPEN
TO THE PUBLIC, INSTALLATIONS BY DAVID HELM.